Returning to the studio once more with Thomas Baxter and this time more organized than the previous recording session we captured an interesting deep voice for the shadow character and a nervous voice for that of the protagonist Dillon.
Furthermore, towards the end of the session, Tom and I decided to experiment with reverb and the time stretch in adobe audition in order to apply a sense that the shadow could be heard inside Dillon's subconscious.
Interestingly, I discovered a set of effects in Logic Pro X that applied different vocal effects which simply played around with the reverb and pith of the recordings and I liked the tone of voice the "Narrative Vocal" and "Deep Vocal" applied to our voices as displayed in figure a.
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| Figure A |
By Sebastian Jones
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