With the deadline on the festive horizon, I have taken careful time to record additional foley sounds. In particular, I have been recording a lot of ambient background sounds such as television and radio playing in the background. Furthermore, with a substantial amount of background noises playing in the sound piece it should provide an excellent atmospheric tone serving to better illustrate the actions in my story mentally to the viewer.
Moreover, I personally a drastic difference in my sound pieces storytelling quality. The moment I included atmospheric recordings such as traffic when Dillon walks out of his apartment and footsteps in several parts of the track to illustrate a character travelling.
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| Figure A |
Though most of these foley readings contained allot of static background interference or were simply to loud. So I made a lot of use of my new favourite tools the hard-line limiter and the cut and paste to re-engineer certain sounds such as the landlord knocking heavily three times on the tenant's door (figure a/b)
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| Figure B |
However, I am still creating my hand-drawn frames with pencil and paper. Since I wish to create an improved animatic from my first attempt with Brainiac Jack and have a wonderful animatic piece to demonstrate my growing knowledge of camera angles as I draw each frame in the animatic to better convey the emotions and mindset of characters.
Referances
http://andrewnourse.com/images/walkacyle.jpg
By Sebastian Jones
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